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From the collective Atarashiki-mura (New Village) Movement initiated by Mushakoji Saneatsu, through many other individual semiagricultural life practices of Japanese writers and artists, the book traces the emergence of a shared agricultural fundamentalism that informed and evolved into the active political interventions of later years. Ou Ning combines original field investigation with a close reading of the historical archives to construct a narrative spanning period and geographies that is always attentive to specific detail. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Agritopianists\u003c\/span\u003e\u003cspan\u003e takes the reader to the historical scene and asks them to consider its relevance to today’s urgent questions of ways of living and planetary thinking. Among the many histories of utopian thought and experiments, this is a unique rethinking of environmental possibilities through geographical and cultural differences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eAbout the Author\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eOu Ning\u003c\/span\u003e\u003cspan\u003e (born 1969) is a poet, writer, curator, filmmaker, editor, researcher, activist and founder of the utopian villages Bishan Commune and School of Tillers. In 2004 he cofounded the Alternative Archive with artist Cao Fei. 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Artists who are native speakers of a variety of languages were invited to explore the relationships and interest about their own language, the language they are learning, or the language they once belonged to.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Magazine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIcosa Magazine is a Chinese art collective and independent publishing house founded by enthusiasts of mathematics and games.\u003c\/p\u003e\n\u003cp\u003e\"Each year, we organize 4–6 creative and research- based projects. We design a set of rules around a selected theme and invite curious minds to join us in exploration. 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Our members also host game gatherings around the globe, ranging from once or twice a month to, at peak times, daily events!\"\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45780556382260,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/03-01.jpg?v=1737580313"},{"product_id":"hakuchi-照夜","title":"HAKUCHI: 照夜","description":"\u003cp\u003e出版年：2021\u003c\/p\u003e\n\u003cp\u003e出版：HAKUCHI\u003c\/p\u003e\n\u003cp\u003e尺寸：18 × 14 cm\u003c\/p\u003e\n\u003cp\u003e页数：336页\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e简介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e《照夜》是HAKUCHI团队以月亮为主题制作的摄影书：「拯救月亮，在我们的手中把它再物质化。」书本印刷使用烫银工艺。\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45780651868212,"sku":null,"price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/Screenshot_2025-01-07_at_19.56.09.png?v=1737580300"},{"product_id":"magioil-xing-恭喜-congrats-issue-no-1","title":"Magioil Xing: 「恭喜\/congrats!」Issue No.1","description":"\u003cp\u003e出版年 Year: 2024\u003c\/p\u003e\n\u003cp\u003e页数 Pages: 28\u003c\/p\u003e\n\u003cp\u003e装订 Binding: 装订夹 Clip Binding\u003c\/p\u003e\n\u003cp\u003e板数 Edition: 40\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e简介 Description \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNo.1 \u003c\/span\u003e\u003cspan\u003e是杂志「恭喜\u003c\/span\u003e\u003cspan\u003e\/congrats!\u003c\/span\u003e\u003cspan\u003e」的首期正式刊物。以实验性的 \u003c\/span\u003e\u003cspan\u003eNo.0 \u003c\/span\u003e\u003cspan\u003e为基础，\u003c\/span\u003e\u003cspan\u003eNo.1 \u003c\/span\u003e\u003cspan\u003e标志着从\u003c\/span\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003e艺 术家自娱自乐\u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e\u003cspan\u003e到\u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e\u003cspan\u003e几乎成熟\u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e\u003cspan\u003e的大众读物的转变。\u003c\/span\u003e\u003cspan\u003eNo.1 \u003c\/span\u003e\u003cspan\u003e展示了各种背景和形式的创作及非创作， 包括诗歌、随笔、梦境记录、与 \u003c\/span\u003e\u003cspan\u003edate \u003c\/span\u003e\u003cspan\u003e的争吵、持续的短篇故事、旧友的情书，妈妈写给女儿 爱猫的随笔\u003c\/span\u003e\u003cspan\u003e...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNo.1 is the first official issue of the magazine 「恭喜\/congrats!」. Evolving from the experimental No.0, No.1 represents the transition from an artist zine to an \"almost fully-fledged\" general audience publication. Showcasing a diverse range of creations and non-creations from various backgrounds and forms, No.1 features poems, dream narratives, chat arguments with a date, an ongoing short story, estranged friends' love letters, a mother’s diary on daughter’s beloved cat...\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e关于作者 About the Author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e魔油星(MX)是由艺术家简宁和 Zoey Gu 自发组成的双人组。他们于 2021 年开始进行合作，将 他们的想法和图像融合在黑白暗房实践中，并将他们的艺术实验扩展到了纸质媒介、图像收藏 和自出版等领域中。\u003c\/p\u003e\n\u003cp\u003eMX 现正运营「恭喜\/congrats!」，一个(非专业的)独立空间。基于对草稿、未完成和“不被需 要”的想法、图像、文字的欣赏，MX 在这里收集想法，「恭喜」创作者，并以杂志的形式发布 所征集的大众作品。\u003c\/p\u003e\n\u003cp\u003eMagioil Xing (MX) is a spontaneous artist duo comprised of Ning Jian and Zoey Gu. They began their collaboration in 2021, blending their ideas and images within the domain of darkroom black and white photography. Over time, their artistic experiments expanded into paper-based photographic media, image collections, and self-publishing.\u003c\/p\u003e\n\u003cp\u003eThe duo runs 「恭喜\/congrats!」, a non-pro(fessional) space dedicated to celebrating drafts, unfinished and unwanted thoughts, images, and texts created by individuals. Their goal is to collect these creations, congratulate the creators, and publish their works in magazine form.\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45780689780788,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/bookup5_1000x_678656dd-986e-431a-895f-194f670fc631.webp?v=1737580298"},{"product_id":"weaving-realities-seed-of-memory","title":"Weaving Realities: Seed of Memory","description":"\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eYear: 2024\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by: 51Personae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by: Heike Renee de Wit\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize: 120 x 190 mm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePages: 112\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 978-988-76489-2-5 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 4\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThis booklet is the artist collective Weaving Realities’ contribution to decolonial healing as a seed of memory. They have been gathering and reenacting ancestral recipes since 2017, using art to amplity voices of stories that are being silenced and to re-member the worlds of meanings that are being erased. They believe that the ancestral recipes can open a space for learning diverse knowledges which contribute to healing our relations to food, to land and to the lives of others. Through cooking and eating together, they attempt to build a bridge that connects them to the communities in Abya Yala, who are living in reciprocity with Earth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 5\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeaving Realities uses art as a platform to amplify voices and stories that have been silenced, and to re-member the worlds of meanings that have been erased. The artist collective departs from ancestral recipes to open a space for learning diverse types of Earth knowledges, which contribute to heal our relation to food, to land, and to the life of others. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir work intends to interweave different alternative ways of relating to the world other than exploitation, appropriation or consumption. Weaving Realities’ relation to mother Earth is reflected profoundly in their relation with food. They use the kitchen as a space to question and rethink our relation with the entire food production chain, from the land, the producers to our dinner table. Cooking then becomes a form of resistance in revival of ancestral knowledges, while being conscious about our own relations to the life of others. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeaving Realities consists of Yuchen Li and Aldo Esparza Ramos, who are based in Amsterdam. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45780704460852,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/seedsofmemories-600x450.jpg?v=1737580297"},{"product_id":"marielle-51-personae-tarwewijk","title":"mariëlle: 51 Personae: Tarwewijk","description":"\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by: Mira Ying\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePages: 102\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize: 125 x 230 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN 978-90-832592-2-2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLanguage: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDutch, Chinese, English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by: \u003cmeta charset=\"utf-8\"\u003e51 Personae \u0026amp; ook_\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e51 Personae: Tarwewijk is a trilingual (Dutch, Chinese, English) booklet of writing and images, based on solitary walks through a small neighborhood. It originated from Chen Yun’s visit to ook_ in August 2019. ook_ is a space opened up by mariëlle verdijk and reinaart vanhoe in their home and community in Rotterdam. After this 24-hour stay by Chen Yun, mariëlle became deeply interested in the 51 Personae project and suggested doing something together. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the autumn and winter of 2019, mariëlle began emailing Chen Yun small notes about her neighbourhood, Tarwewijk, where she had moved a year earlier. She wrote about all the small things she observed such as people, facilities, plants, houses, and public spaces, as she walked around the neighbourhood and surrounding areas. These emails continued until the outbreak of the COVID-19 pandemic. One day, Chen Yun suggested compiling these notes into a booklet as a gift to the residents of Tarwewijk and as a reference for anyone looking to find a sense of \"home\" when moving to a new place. This book is not intended as a guide to the Tarwewijk, but it may encourage you to walk more in your own neighborhood. Indeed, these walks mostly stay within the realm of daily life; they deliberately take detours, engage in accidental conversations with strangers, and ask \"superfluous\" questions. They are not only about discovering the external environment and its seemingly mundane history, but also about uncovering the anomalies in ordinary urban corners and linking these anomalies to personal experiences, ultimately exploring and questioning the foundations of what constitutes a 'home'. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003emariëlle verdijk loves and writes in Rotterdam (CET), where she is also part- time chef and full time neighbour. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45780720320564,"sku":null,"price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/09-01.jpg?v=1737580296"},{"product_id":"susuo-three-stories","title":"Susuo: Three Stories","description":"\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eYear: 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStories narrated by: Gyaltsen \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIllustrated by: Susuo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by: Liu Feng\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by: \u003cmeta charset=\"utf-8\"\u003e51 Personae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize: 106 x 180 mm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: Tibetan, Chinese \u0026amp; English \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN:978-988-76489-3-2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book includes three stories from a Tibetan village in Shangri-La, Yunnan Province, China, collected by the artist Susuo through a friend he made there. The narrator is a young Tibetan who received higher education in the city before returning to work in the countryside and towns. The stories are based on his childhood memories. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSusuo created animations for these three stories and developed this book based on those animations. The book is a collection of paintings using various media materials she employed during her fieldwork. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45782635151412,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/05-01.jpg?v=1737580295"},{"product_id":"alfian-sa-at-马来素描-malay-sketches","title":"亚非言: 马来素描","description":"\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e出版年: 2024年7月\u003c\/p\u003e\n\u003cp\u003e出版: Archipelago Studio\u003c\/p\u003e\n\u003cp\u003e翻译: 苏颖欣\u003c\/p\u003e\n\u003cp\u003e责任编辑: 陈韵\u003c\/p\u003e\n\u003cp\u003e绘画: 欧飞鸿\u003c\/p\u003e\n\u003cp\u003e设计排版: 3in\u003c\/p\u003e\n\u003cp\u003e封面字体: 郑初阳\u003c\/p\u003e\n\u003cp\u003e校订: 宋小啤\u003c\/p\u003e\n\u003cp\u003e页数: 288\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 978-629-99529-0-9 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e简介\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e《马来素描》的书名来自十九世纪末海峡殖民地总督瑞天咸描述马来半岛土著生活的同名轶事汇编。在新加坡青年作家亚非言的笔下，这些“素描”被重新想象成凝练而精辟的微型小说，向读者展现了新加坡少数族群的生活现实。亚非言是著名的双语诗人、小说家和剧作家，也是新加坡政府眼中的“异见分子”。书中形形色色的⼈物，是在新加坡主流发展叙事中被消音的⼀群少数族群，只占总人数百分之十五的马来人，他们仿佛是独立前未曾存在的土著，独立后总跟不上发展步伐的“落后”族群。\u003c\/p\u003e\n\u003cp\u003e作者透过48则短篇故事，揭露新加坡在英才治理、多元文化主义、世俗主义等现代性话语下衍生的种种问题，而马来人的“落后性”被视为种种社会问题的源头。他们生长于家国，却渐渐成了无家者，这就是新加坡马来人面对的困境。亚非言的书写实践继承自上世纪马来知识分子的传统，作品具有高度社会关怀和历史意识。亚非言笔下的马来人是一个个寻找声音的活生生的主体。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e关于作者\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e亚非言（Alfian Sa'at） ，新加坡小说家、诗人、剧作家，以英语和马来语双语创作，亦翻译马来文学作品。他是新加坡野米剧场（Wild Rice）的常驻剧作家。出版作品包括三本诗集《激烈时刻》（One Fierce Hour，1998）、《失忆症史》（A History of Amnesia，2001）和《隐形手稿》（The Invisible Manuscript，2012），短篇小说集《走廊》（Corridor，1999），微型小说《马来素描》（Malay Sketches，2012），剧作《冷静日》（Cooling Off Day，2012）以及三部剧作集。2001年，亚非言赢得新加坡金笔奖诗歌奖以及新加坡国家艺术理事会青年艺术家奖（文学类）。他也三次获得新加坡文学奖提名（1999年、2004年和2016年），四度赢得《海峡时报》“生活！戏剧奖”最佳原创剧本——《地标》（Landmarks，2004）、《娜迪拉》（Nadirah，2010）、《你姐姐的丈夫》（Kakak Kau Punya Laki，2013）和《酒店》（Hotel，2016）。他亦是新加坡戏剧节的共同艺术总监。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e关于译者\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e苏颖欣，马来西亚人。新加坡南洋理工大学文学博士。目前为澳洲国立大学文化、历史暨语言学院讲师，亦是自由译者。研究兴趣为东南亚历史与文学，尤其是新加坡、马来西亚和印尼的知识和文化生产。她也是吉隆坡“亚答屋84号图书馆”和“业余者”的共同创办人。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e关于插画作者\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e欧飞鸿，广东黄，本广大画廊CEO，《刺纸》杂志编辑之二，生活于广州。\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45782637510708,"sku":null,"price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/07-01.jpg?v=1737580294"},{"product_id":"lu-zhang-huaierdeman-wildman-clab-张璐-怀尔德曼俱乐室","title":"Lu Zhang ≈ HuaiErDeMan (Wildman) Clab 张璐≈怀尔德曼俱乐室","description":"\u003cp\u003eArtist 艺术家：Lu Zhang 张璐\u003cbr\u003eEditors 编辑：Qianfan Gu 顾虔凡, Herb Tam 谭海俊\u003cbr\u003eContributors 写作：Herb Tam 谭海俊, Xueli Wang 王雪莉\u003cbr\u003eTranslators 翻译：Anqi Gu 顾安祺, Qianfan Gu 顾虔凡\u003cbr\u003eDesigner 装帧设计：St. Jiu\u003cbr\u003eProject Manager 项目统筹：Yuki He 何雨祺\u003cbr\u003ePublisher 出版物制作：Gong Press 弓出版\u003c\/p\u003e\n\u003cp\u003eEdition 版数: \u003cbr\u003ePublication with ceramic box 陶盒精装本：15 + 5 A.P.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFirst printing, August 2024 二零二四年八月第一次印刷\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e简介\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003e《张璐≈怀尔德曼俱乐室》（\u003c\/span\u003e\u003cem\u003e\u003cspan\u003eLu Zhang ≈ HuaiErDeMan (Wildman) Clab\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e） 是一本既是档案又是对张璐2017至2023年公众参与项目的反思的艺术书。书中收录了她实践演变的资料，包括情境陶瓷的文献记录、研究笔记、阅读参考、视觉诗以及其父亲的手绘与书法等内容。 书籍的制作过程见证了艺术家自我和解的旅程，探索了她个人与艺术身份如何在一种难以归类的实践中找到位置。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLu Zhang ≈ HuaiErDeMan (Wildman) Clab\u003c\/em\u003e is an artist book that serves as both an archive and a reflection on Lu’s public-engaged projects from 2017 to 2023. Within its pages is a collection of materials that trace the evolution of her practice, including documentation of her situationist ceramics, research notes, ephemera, reading references, visual poems, and contributions from her father in the form of drawings and calligraphy. The book-making process itself bears witness to Lu’s journey of reconciliation, exploring how her personal and artistic identity finds a place within a practice that defies easy categorization.\u003c\/p\u003e\n\u003cp\u003e​The publication comes in two editions: a special limited edition of 15 copies, presented in a handcrafted ceramic box and accompanied by a matchstick to ignite a ceramic slab, revealing the artist’s manifesto poem; and a regular edition of 450 copies, each accompanied by a hand-made ceramic piece inscribed with a hand-written character by the artist. Both editions make the publication a literal art piece in itself. The book also features a commissioned essay and an interview with the artist by film studies scholar Xueli Wang, as well as a foreword by Herb Tam, offering deeper insights into the context and themes of her work.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan\u003e关于作者\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003e张璐是一位现居纽约的艺术家，出生于中国西安。她通过再现记忆和梦境的方式创造亲密体验，试图将既定逻辑与认知经验间的传递空间视觉化，作品形式包括陶瓷和视频装置；她也在合作项目中与公众互动，寻求特定语境下关系的相对性和变化性。她最近的一部纪录片《轻声附和》，曾在纽约法拉盛君豪酒家的公共空间放映；另一部纪录片《篮球而已》在Metrograph放映。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e张璐在纽约普拉特艺术学院获得美术硕士和艺术史双硕士学位，并拥有西安交通大学经济学学士学位。她最近的展览包括纽约法拉盛的公共空间、Metrograph, Yve Yang Gallery, Art Lot、Pearl River Mart、Yeh画廊、Underdonk、Latitude画廊、The Clemente Soto Vélez、\u003cspan class=\"\"\u003ePresent Company\u003c\/span\u003e、Special Special、NARS基金会、美国华人博物馆、A.I.R画廊、The Elizabeth Foundation for the Arts、韩国文化中心、西安美术学院。张璐在国内和国际上进行过多次艺术家讲座和公共项目。https:\/\/www.luzhang.org\/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e​Lu Zhang was born in Xi’an, and arrived in New York in 2012. Founder of Wildman Clab ( HuaiErDeMan Clab), member of P_______Lub, and co-founder of Chinatown Basketball Club. Lu is an artist who writes visual essays through moving images, dream poems, and situated ceramics. She teaches pottery and plays basketball. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003c\/h4\u003e\n\u003ch4\u003e关于出版方\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003e弓出版（Gong Press）\u003c\/span\u003e\u003cspan\u003e是一个由顾虔凡、St. Jiu和何雨祺创立的跨纽约和北京的出版项目。我们与艺术家朋友合作制作艺术出版物。项目名称取自“弓”这一武器：如同一把箭未上弦的弓，弓出版处于一种安静而潜在的力量状态，随时准备通过创造性合作被激活。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGONG PRESS is a publishing project based in New York and Beijing by Qianfan Gu, St. Jiu, and Yuki He. We produce art publications in collaboration with our artist friends. 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Ziqing has also launched publishing imprints in collaboration with independent artists and local brands, providing art direction for their works. \u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45804282347572,"sku":null,"price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/DSCF34402-chinatown32sequences.jpg?v=1737580278"},{"product_id":"amphi-by-susie-zhu","title":"煦 (Susie Zhu): Amphitheater","description":"\u003cp\u003eYear: 2023-03\u003c\/p\u003e\n\u003cp\u003ePublished by: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAtmosphere Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePages: 74\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: ‎9781639887989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can lie down and dream of another time in Amphitheater.\u003c\/p\u003e\n\u003cp\u003eWhat is it like to be trapped (or emancipated) between the mirrors of text?\u003cbr\u003eWhat happens when a girl\/a reader\/a writing enters a theater space hidden in a book operated by the generative mechanism of a Fibonacci sequence, consistently unraveling and escaping their comprehension?\u003c\/p\u003e\n\u003cp\u003eDive into the quicksand of this hybrid prose-poem—an experimental attempt at embodying dramatic stasis and bedazzlement of undulating imagery within a narrow poetic space that challenges the capacity of language and questions the rigidity of narrative.\u003c\/p\u003e\n\u003cp\u003eIn 煦’s Amphitheater, we find ourselves both in the center of the stage and below. Swept into the elliptical motion of the language, we explore this dreamlike landscape of meditation and contemplation on time, identity, and many more obscure matters without being unsettled by getting lost.\u003c\/p\u003e\n\u003cp\u003eThe light’s out. It is time to close our eyes and start seeing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e煦 (Susie Zhu) is a multi-hyphenated poet-artist from China, based in Providence, RI, USA; most profoundly confused by everything including her own works, which confuse genres. She consider “book-making” as her main expressive medium, in which “book” refers to its most extensive, abstract and even obscure signification, including but not limited to: text, self-publication, artist’s book, sound\/music composition, printmaking, multimedia installation, performance and video. Her “books” are encapsulated timespace for meditative and contemplative experiences, where she explores the alternatives for perception and expression.\u003c\/p\u003e\n\u003cp\u003eShe sees her artworks as poems and her poems exosomatic organs or flooded rooms.\u003c\/p\u003e\n\u003cp\u003eIt seems that 煦’s works are always enwrapped in a poetic air of quiet pensiveness, yet the audience find themselves catching a glimpse of some greater matters in their subtle breathing and trembling. 煦 sits down tenderly and thoughtfully in her works, ruminates, embraces all forms of confusion toward rigidity and “reality” and preserves them like how a dreamer records their dream. She lets her contemplations on time, being and many other obscure motifs into her “rites” (works) and have them dance mesmerizingly to the musicality of her works, spiritual but not religious. People are invited to pass by them, enter them, dream of them, forget or renounce their contour the way one who walks into the sea.\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45811379732532,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/Zhu-Cover-Project-front-jpg.jpg?v=1737604401"},{"product_id":"shadow-by-susie-zhu","title":"煦 (Susie Zhu): on (being) shadow-","description":"\u003cp class=\"p1\"\u003e出版年\u003cspan class=\"s1\"\u003e: 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e出版\u003cspan class=\"s1\"\u003e: Butter*Rabbit*Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e页数\u003cspan class=\"s1\"\u003e: 100\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e简介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e《\u003cspan class=\"s1\"\u003eon (being) shadow-\u003c\/span\u003e》是煦的又一次跨体裁写作尝试，也是一本手工装订的艺术家书。书以散文和诗歌为主体，又埋有一条若隐若现的类元小说叙事线。装帧设计也呼应文本，在透明光泽与灰度时而相互模糊时而分割的层层书体间，大胆\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e寄生\u003cspan class=\"s1\"\u003e”\u003c\/span\u003e了一本明显异质的它者。这个柔软且暴力的白色小小入侵者可以被取出，作为一本诗集独立存在。\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e在书中自称作者的男人\u003cspan class=\"s1\"\u003eI\u003c\/span\u003e是一位\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-\u003c\/span\u003e学家\u003cspan class=\"s1\"\u003e” \u003c\/span\u003e，在前两年察觉到一种\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e如同影子般多变，永远次从与他者，自无实体却无处不在且不可或缺的状态\u003cspan class=\"s1\"\u003e”\u003c\/span\u003e并以\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e- (shadow-)”\u003c\/span\u003e为其命名后，他陆续建立了\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-\u003c\/span\u003e研究小组\u003cspan class=\"s1\"\u003e”\u003c\/span\u003e，以散文，笔记，图谱等形式记录了关于\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-”\u003c\/span\u003e的种种假说与论述。这些内容后日被\u003cspan class=\"s1\"\u003eI\u003c\/span\u003e整理成书，定题《\u003cspan class=\"s1\"\u003eon (being) shadow- \u003c\/span\u003e》\u003cspan class=\"s1\"\u003e 。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e然而一切都从在黄油兔出版社撞见那本被错置的\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e特别的诗集\u003cspan class=\"s1\"\u003e”\u003c\/span\u003e时真正开始\u003cspan class=\"s1\"\u003e——\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e正是这从形式到内容都略显的古怪诗歌小册让他确信了自己假象的研究对象之存在。\u003cspan class=\"s1\"\u003e \u003c\/span\u003e于是在他著作出版前的最后成稿中冒着被谴责学术盗用的风险追加了那似乎除他所持的一本再无他版的小册子内收录的全部的诗。\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e《\u003cspan class=\"s1\"\u003eon (being) shadow- \u003c\/span\u003e》是男人\u003cspan class=\"s1\"\u003eI \u003c\/span\u003e的非正经学术著书，也是煦的严肃实验作品；那些\u003cspan class=\"s1\"\u003e I \u003c\/span\u003e找到并命名\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-\u003c\/span\u003e诗\u003cspan class=\"s1\"\u003e (shadow-poems)”\u003c\/span\u003e的诗，是\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-”\u003c\/span\u003e写的诗，也是煦写的诗；在这里，书内书外的真实与时间弯折相互矛盾又自洽\u003cspan class=\"s1\"\u003e——\u003c\/span\u003e它是一本笼罩在影似的朦朦胧非黑非白之中的不确定的书，也是恰好是一本关于活在这种不确定性中，游离流动的模糊之中的书，关于作为\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-”\u003c\/span\u003e感知存在的书。\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e你阅读这本书，也像走进困意一样走进浑浊的意识，但感官愈发清晰。你感到自己也可以是\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-”\u003c\/span\u003e，随日月的转移升入云间，在水雾与寒冷的致盲中，曾经占据你的偌大现实世界坍缩成可以从任何一个句号中漏出的奇点。\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e我们（\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-”\u003c\/span\u003e的第一人称永远是复数的）试问：如何作为\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e影\u003cspan class=\"s1\"\u003e-”\u003c\/span\u003e存在，拥抱存在？如何用被动的梦想统治真实？\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e关于作者\u003c\/strong\u003e\u003cspan class=\"s1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003e \u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e煦（\u003cspan class=\"s1\"\u003eSusie Zhu\u003c\/span\u003e），尝试用任何物质写诗的跨媒介艺术家\u003cspan class=\"s1\"\u003e-\u003c\/span\u003e诗人，暂居美国罗德岛。她通过做最反消歧义的，广义上的\u003cspan class=\"s1\"\u003e“\u003c\/span\u003e书\u003cspan class=\"s1\"\u003e”——\u003c\/span\u003e包括但不限于艺术家书，装置，行为，影像，声音等\u003cspan class=\"s1\"\u003e——\u003c\/span\u003e搭建供人沉思与疗愈的朦胧空间。她思考当代人们如何重新信仰，如何提问而不回答，如何拥抱精神性与感性，寻找言说，交流与感知的另一种可能。\u003cspan class=\"s1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/span\u003e月籍，持续高烧的流浪者。\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e煦是\u003cspan class=\"s1\"\u003e9\u003c\/span\u003e本艺术家书和\u003cspan class=\"s1\"\u003e5\u003c\/span\u003e本自出版物的作者，\u003cspan class=\"s1\"\u003e2022\u003c\/span\u003e年重音国际诗歌奖新声音奖首奖，\u003cspan class=\"s1\"\u003e2020\u003c\/span\u003e及\u003cspan class=\"s1\"\u003e2023\u003c\/span\u003e年\u003cspan class=\"s1\"\u003eFrances Mason Harris’26 Prize for creative book-length manuscripts\u003c\/span\u003e的获奖者，\u003cspan class=\"s1\"\u003e2023\u003c\/span\u003e年\u003cspan class=\"s1\"\u003eKim Ann Arstark Memorial Reward\u003c\/span\u003e的获奖者，文学艺术期刊\u003cspan class=\"s1\"\u003eClerestory Journal of the Arts\u003c\/span\u003e的主编以及\u003cspan class=\"s1\"\u003ebutter*rabbit*press(\u003c\/span\u003e黄油兔独立出版\u003cspan class=\"s1\"\u003e)\u003c\/span\u003e的主理人。\u003cspan class=\"s1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e作品主要见个人网站\u003cspan class=\"s1\"\u003emoon-to-suisei.com\u003c\/span\u003e，公众号暗房在月亮背面，或\u003cspan class=\"s1\"\u003einstagram @9urishu\u003c\/span\u003e。\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45811380224052,"sku":"","price":71.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/640.webp?v=1737603989"},{"product_id":"张绿-亚热带纸鸢","title":"张绿：亚热带纸鸢","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45829905678388,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/Snapinst.app_470030201_894966802405279_4147368464608882044_n_1080.jpg?v=1738370852"},{"product_id":"this-this-zine-volume-1-accent-is-my-anchor-碇","title":"'This This' Zine - Volume 1: Accent is My Anchor 碇","description":"\u003cp\u003eYear：2014\u003c\/p\u003e\n\u003cp\u003ePublisher：Brake Corner\u003c\/p\u003e\n\u003cp\u003ePages：32\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBinding\u003c\/span\u003e：full-color printing, foldable format\u003c\/p\u003e\n\u003cp\u003eEditor \u0026amp; Designer: Shena Yu \u003c\/p\u003e\n\u003cp\u003eContributor: Audrey Chen\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription 简介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\"Accent is my Anchor\" is a scattered record of my diasporic life in Hong Kong and beyond, primarily during 2022 and 2023. It visually captures the nuanced feelings as a creator living among different languages and locals - observing violence and taking root.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e街頭與肖像。黑白與彩色。135mm與120mm。攝影與寫\u003cbr\u003e作。作為異郷人、女性、\u003cbr\u003e多語者，在不同語言打開的世界中周\u003cbr\u003e旋徘徊，是尋常得來又沈溺其中的樂事。\u003cbr\u003e從決定始終用中文書寫的那一刻起，便要面對母語的困境，如何在從容中達至精確。菲林攝影則陌生如拉丁文，最初甚至並非因其質地而心折，僅僅因為我需要重新學習它的詞彙和文法，與我中學時稍加瞭解的數碼攝影不同。就像粵語直譯\u003cbr\u003efresh air為「鮮風」，那樣強勁、清爽、好玩。\u003cbr\u003e對身後的龐大傳統仍有敬畏，相機和膠卷替我分擔了這些重負，我只是散步與拍攝，其餘留給他們。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Artist 关于艺术家\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e創作者，長居香港。我寫作、教書、影相、帶導賞，也講脫口秀\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003emultimedia artist based in Hong Kong. I write, take photos, lead tours, do printmaking and stand-up comedies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45842651938868,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/mt.vagus_AccentismyAnchor_3-AshleyJiang.jpg?v=1739134909"},{"product_id":"ally-yanxiu-luo-shower-thoughts-on-water-intimacy-and-digitality","title":"Ally Yanxiu Luo: Shower Thoughts:   On Water, Intimacy, and Digitality","description":"\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003ePublished by:\u003cspan\u003e  ©Sequence\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 106\u003c\/p\u003e\n\u003cp\u003eBinding: Softcover\u003c\/p\u003e\n\u003cp\u003eISBN:\u003cspan\u003e 979-889692120-2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by: Vince Warne\u2028\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign by: Rui Liao \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhat is a shower? And how does one begin to untangle the paradoxes and dynamism of showers from their sleek facades? \"Shower Thoughts\" is an artist book combining social experiments, digital theories, and artwork documentations to explore showers’ potential as embodied network in the post-digital age.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe book examines the eco- and techno-political dimensions of showers as both personal experiences and networked systems, aiming to reveal how showers create the illusion of individual sterility while uncovering the infrastructure of that illusion. By drawing on post-digital aesthetics and science and technology studies, the book reframes our commonsense beliefs about autonomy, illustrating how repetitive bodily actions network isolated “users” into larger systems, much like digital networks, forming an unconscious community. Ultimately, the book explores the blurred boundaries between private and public, wet and dry, and individual and collective.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"view-mode unstyled paragraph-b7659f23-0c97-4eb2-be59-dc8dd3803b96\"\u003e\u003cspan\u003eYanxiu Luo (b. 1998, Hangzhou) is an interdisciplinary artist and writer based in NY. Her work explores the intersection of conceptual systems, anecdotal narratives, and documentary cinema. Luo holds a Bachelor of Arts in East Asian Studies and Film Studies from Wesleyan University and an MFA in Design and Technology from Parsons School of Design. Her work has been showcased in Museum of Chinese in America, theBlanc Gallery, and the Digerati Emergent Media Festival.\u003c\/span\u003e\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45867413536820,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/Qmc8yZEp4hLVL1qtpJjS4EWrc8sbJHerjNHsuJ8KaKqrGC.jpg?v=1739565498"},{"product_id":"ama-gum","title":"Ama-Gum","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTitle: ama-gum\u003cbr\u003eAuthor\/Artist: You Feng, Yan Lin, Mooni Perry, Hyein\u003cbr\u003ePark\u003cbr\u003eOther people to credit (if applicable):\u003cbr\u003eUpa Chen, Dakota Guo, Mina Ha, Tang Han, Jiaoyang\u003cbr\u003eLi, Hui Lin, Eugene Hannah Park, Hye-in Park, Mooni\u003cbr\u003ePerry, Charmaine Poh, Markus Rack\u003cbr\u003eYear of publication\/production: 2025\u003cbr\u003eCategory (artist’s book, zine, photo book, merch, etc.):\u003cbr\u003ezine\u003cbr\u003eSize: 145mm x 290mm\u003cbr\u003eBinding (if applicable): 5 folded pages in a sewn sleeve\u003cbr\u003ePage Number (if applicable): 60\u003cbr\u003ePublished by (if applicable): ama-gum\u003cbr\u003eISBN (if applicable):\u003cbr\u003eNumbers of edition: 450\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe wish ama-gum to be a safe space for the unsure and the unsettling innate to the process of engendering. The zine was initially born out of exhaustion and pessimism, yet as the zine gradually took shape, it also became a space of motivation and belief. It wishes to be a playground—not one where you are quietly coerced into joining, but where you become so oblivious that you become a myriad. If all we had was exhaustion and pessimistic thoughts, nothing would disturb such moldy serenity. In the end, it was that which is now in the zine gave us the minimal (perhaps malign) optimism that kept us going. That’s why we had to preserve and defend spontaneity—and tried our best to do so—since without it, the zine would be denying its own negative desire, not to mention the creative desires of those who so generously shared their work with us. This issue is our first attempt at building such a playground. And we are grateful to all the friends who have given so open-handedly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eama-gum是一本由四位來自亞洲不同國家、現居柏林的女性朋友們在疫情後創立的小誌。它誕生於我們對一個相對安全、舒適且不受限的寫作與創作分享空間的想像，收錄的內容均來自不斷延展的朋友圈。我們收容那些和我們一樣，在異國生活常被疲憊、悲觀或因各種不同的心理與精神困境而常被主流社會吞噬的夥伴們的碎念。當我們總是要鼓起勇氣，戴上符合社會想像的面具去在公共空間內創作時，ama-gum想要提供一個放鬆、休憩和宣洩的樹洞。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45931648450612,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/rendering-YouFeng.png?v=1742417957"},{"product_id":"soft-magazine-issue-3","title":"[soft]  Magazine Issue 3","description":"\u003cp class=\"\"\u003eLanguage: Chinese\/English\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublisher: OpenArt\u003c\/p\u003e\n\u003cp class=\"\"\u003eSize: 215mm x 300mm\u003c\/p\u003e\n\u003cp class=\"\"\u003ePages: 82 pages\u003c\/p\u003e\n\u003cp class=\"\"\u003eWeight: 340g\u003c\/p\u003e\n\u003cp class=\"\"\u003eSpecificatins: Color Print\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdition of 500\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eAbout this Issue\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc NVbRL\" data-required=\"true\" data-item-id=\"29918044\"\u003e\n\u003cdiv class=\"Ih4Dzb\"\u003e\n\u003cdiv class=\"q4tvle JqSWld yqQS1\" aria-label=\"Consign Work Statement\" aria-disabled=\"true\" role=\"textbox\" tabindex=\"0\"\u003e[soft] Magazine is an independent magazine that publishes conversations and interviews with young artists and creative people. Each issue, we feature artist interviews and texts, as well as introduce works from an emerging young artist.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc\" data-input=\"L9xHkb\" data-item-id=\"410649448\"\u003e\n\u003cdiv class=\"pYfr3c\"\u003e\n\u003cdiv class=\"prOLdf\"\u003e\n\u003cdiv class=\"g53bl\"\u003e\n\u003cdiv class=\"cTDvob D1wxyf RjsPE\" id=\"c184\" role=\"heading\" aria-level=\"3\" aria-describedby=\"i.desc.410649448\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003eThe third issue of [soft] Magazine is the last issue themed around the topic “Creative People and Their Day Jobs”, where artists and creatives share their experiences on how to balance a creative life while trying to make a living, as well as critical thoughts on their art communities.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAbout the Publisher\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc NVbRL\" data-required=\"true\" data-item-id=\"1056511157\"\u003e\n\u003cdiv class=\"Ih4Dzb\"\u003e\n\u003cdiv class=\"q4tvle JqSWld yqQS1\" aria-label=\"Artist Bio\" aria-disabled=\"true\" role=\"textbox\" tabindex=\"0\"\u003eOpenArt is an independent curatorial art media platform. Publisher of [soft] artist interview magazine.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45944755224628,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/OpenArt__soft_Issue3_1-OpenArt.jpg?v=1742949590"},{"product_id":"soft-magazine-issue-4","title":"[soft]  Magazine Issue 4","description":"\u003cp class=\"\"\u003eLanguage: Chinese\/English\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublisher: OpenArt\u003c\/p\u003e\n\u003cp class=\"\"\u003eSize: 180 x 285mm\u003c\/p\u003e\n\u003cp class=\"\"\u003ePages: 92 pages\u003c\/p\u003e\n\u003cp class=\"\"\u003eWeight: 260g\u003c\/p\u003e\n\u003cp class=\"\"\u003eSpecificatins: Color Print\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdition of \u003cspan\u003e300\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eAbout this Issue\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc NVbRL\" data-required=\"true\" data-item-id=\"29918044\"\u003e\n\u003cdiv class=\"Ih4Dzb\"\u003e\n\u003cdiv class=\"q4tvle JqSWld yqQS1\" aria-label=\"Consign Work Statement\" aria-disabled=\"true\" role=\"textbox\" tabindex=\"0\"\u003e[soft] Magazine is an independent magazine that publishes conversations and interviews with young artists and creative people. Each issue, we feature artist interviews and texts, as well as introduce works from an emerging young artist.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc\" data-input=\"L9xHkb\" data-item-id=\"410649448\"\u003e\n\u003cdiv class=\"pYfr3c\"\u003e\n\u003cdiv class=\"prOLdf\"\u003e\n\u003cdiv class=\"g53bl\"\u003e\n\u003cdiv class=\"cTDvob D1wxyf RjsPE\" id=\"c184\" role=\"heading\" aria-level=\"3\" aria-describedby=\"i.desc.410649448\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003eThe first three issues of [soft] Magazine explored the theme “Creative People and Their Day Jobs”. The fourth issue introduces a new three-issue theme: “The Traveling Artist”. Each installment will explore why artists travel, how they travel, and the way travel influences and affects their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis issue focuses on artists making work centered around traveling – the ethos of “Desert Solitaire” reflects the artistic experience of venturing into the unknown.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAbout the Publisher\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc NVbRL\" data-required=\"true\" data-item-id=\"1056511157\"\u003e\n\u003cdiv class=\"Ih4Dzb\"\u003e\n\u003cdiv class=\"q4tvle JqSWld yqQS1\" aria-label=\"Artist Bio\" aria-disabled=\"true\" role=\"textbox\" tabindex=\"0\"\u003eOpenArt is an independent curatorial art media platform. Publisher of [soft] artist interview magazine.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45944762007604,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/OpenArt__soft_Issue4_1-OpenArt.png?v=1742950053"},{"product_id":"soft-magazine-issue-5","title":"[soft]  Magazine Issue 5","description":"\u003cp class=\"\"\u003eLanguage: Chinese\/English\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublisher: OpenArt\u003c\/p\u003e\n\u003cp class=\"\"\u003eSize: \u003cspan\u003e 112 x 330mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePages: 180 pages\u003c\/p\u003e\n\u003cp class=\"\"\u003eWeight: 275g\u003c\/p\u003e\n\u003cp class=\"\"\u003eSpecificatins: Color Print\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdition of 300\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eAbout this Issue\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc NVbRL\" data-required=\"true\" data-item-id=\"29918044\"\u003e\n\u003cdiv class=\"Ih4Dzb\"\u003e\n\u003cdiv class=\"q4tvle JqSWld yqQS1\" aria-label=\"Consign Work Statement\" aria-disabled=\"true\" role=\"textbox\" tabindex=\"0\"\u003e[soft] Magazine is an independent magazine that publishes conversations and interviews with young artists and creative people. Each issue, we feature artist interviews and texts, as well as introduce works from an emerging young artist.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc\" data-input=\"L9xHkb\" data-item-id=\"410649448\"\u003e\n\u003cdiv class=\"pYfr3c\"\u003e\n\u003cdiv class=\"prOLdf\"\u003e\n\u003cdiv class=\"g53bl\"\u003e\n\u003cdiv class=\"cTDvob D1wxyf RjsPE\" id=\"c184\" role=\"heading\" aria-level=\"3\" aria-describedby=\"i.desc.410649448\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003eIn this issue, we talked to young Chinese artists and art workers who grew up in the era of globalization and experienced studying and living in western countries, inviting them to share their thoughts on the idea of traveling in between cultures. \u003c\/p\u003e\n\u003cp class=\"\"\u003eHow do they observe the new country that becomes a temporary home and reflect on their own cultural background? What is their personal experience migrating between different cultures and values? How do these experiences affect the artwork they make? \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAbout the Publisher\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"Qr7Oae\" role=\"listitem\"\u003e\n\u003cdiv class=\"OxAavc NVbRL\" data-required=\"true\" data-item-id=\"1056511157\"\u003e\n\u003cdiv class=\"Ih4Dzb\"\u003e\n\u003cdiv class=\"q4tvle JqSWld yqQS1\" aria-label=\"Artist Bio\" aria-disabled=\"true\" role=\"textbox\" tabindex=\"0\"\u003eOpenArt is an independent curatorial art media platform. Publisher of [soft] artist interview magazine.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45944762826804,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/OpenArt__soft_Issue5_1-OpenArt.jpg?v=1742950152"},{"product_id":"叠贵-白蚁","title":"Dieel Guik 叠贵：Gangb Nos Diub 白蚁","description":"\u003cp\u003eYear of publication: 2023\u003cbr\u003eSize: 134 X 180mm\u003cbr\u003eLanguage: Chinese, English\u003c\/p\u003e\n\u003cp\u003e策划：同时hxotnongd; 社区实验室 SPL\u003c\/p\u003e\n\u003cp\u003e责任编辑\/校对：冯俊华\u003c\/p\u003e\n\u003cp\u003e封面画：梁姝妮\u003c\/p\u003e\n\u003cp\u003e封面字：熊行\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e蓁\u003c\/span\u003eVob\u003c\/p\u003e\n\u003cp\u003e类型：实验戏剧\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"mod\"\u003e\n\u003cdiv class=\"pure-text\"\u003e黄昏的路上偶遇一个酒醉的人，他在那里胡言乱语，不知所云。他忽而激情昂扬，忽而低沉泣语，似乎想向我讲述一个故事，一个奇妙的世界，一个巨大的力量和一些爱与死亡的轮回。我不懂他。原本可以置之不理，然而他的话语有一种吸引人的魔力，让人欲罢不能。我奋起反抗他的某些胡话，想告之以正确，可是我逐渐被白蚁净化，被巨龙吞灭。我无法忽视他口中所描绘的那片神奇的土地，并认同这一切正是我脚下大地、山间花朵、天空中星辰，以及我们自己之间维系着的一种共同的默契，它关乎生命、关乎民族、关乎记忆。\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e关于作者\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"jsx-4155675949 content-card pb-1 event-about-card\"\u003e\n\u003cdiv class=\"jsx-4155675949 content\"\u003e\n\u003cdiv class=\"spark-content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e苗族音乐人，大鬼师乐队（Xangs）主唱，枯勇士（Bad Nios Sot）实验音乐小组成员，苗文翻译局（QXLHm）发起人之一，跨界作者。有意逃离庞然大物的宏伟叙事，而关心个体经验，相信旧传统，也拥抱新事物，坚持母语文学\/音乐创作，长期关注少数民族文化的当代意义及其呈现，并进行多路径的探索与实践，涉足音乐、文学、出版、当代艺术等领域。出版苗族神话故事绘本《巨人制天造地》《太阳月亮造好了》，创作有诗剧《白蚁》、舞剧《河》。曾参加广东时代美术馆的“河流脉搏”“时代异托邦三部曲之III - 从不扔东西的人”等展览项目。2023年发起［DIOT HXAK 种歌——苗族民谣实验现场］个人全国巡演计划，参加阿那亚大地艺术节。2024年被选入北京当代艺术基金会、财新视听、财新创意联合发起的《新声——中国当代艺术家推新计划》，参加广州【声音共和】周年庆“大地轰鸣”演出、南丹音乐节、红印艺术中心艺术展「礼部文件：发须爪」等。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA Miao musician, he is the lead vocalist of the band Xangs, a member of the experimental music group Bad Nios Sot, and one of the founders of the Miao Literature Translation Bureau (QXLHm). A cross-disciplinary artist, he seeks to escape grandiose narratives and instead focuses on individual experience. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe believes in old traditions while embracing new ideas, and is committed to creating in his native language through literature and music. His work is deeply engaged with the contemporary significance of ethnic minority cultures and their representation, exploring and practicing across multiple paths, including music, literature, publishing, and contemporary art. He has published Miao mythological storybooks The Giants Who Created the Sky and Earth and The Sun and Moon Were Made. His works also include the poetic drama Termite and the dance drama River. He has participated in exhibitions such as \"River Pulse\" and \"Utopias of Our Time: Trilogy III – The People Who Never Throw Anything Away\" at Guangdong Times Museum. In 2023, he launched the national tour [DIOT HXAK - Songs of the Miao: An Experimental Folk Live Performance] and participated in the Aranya Plein Air Art Project. In 2024, he was selected for the New Voices - Emerging artists in China, a joint initiative of the Beijing Contemporary Art Foundation, Caixin Audiovisual, and Caixin Creative. He also performed at the ROS Live Anniversary \"Earth Roars\" concert in Guangzhou and the Nandan Music Festival，\"Ministry of Rites Archive: Hair, Beard, and Claws\" at HONIN ART CENTER.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45946378190900,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/IMG_0517.jpg?v=1743468463"},{"product_id":"同时hxotnongd-一切归于大家-墨西哥萨帕塔运动作品选译","title":"同时hxotnongd：一切归于大家-墨西哥萨帕塔运动作品选译","description":"\u003cp\u003e出版社：\u003cspan\u003e同时hxotnongd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e封面画：欧飞鸿\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e加工：万青\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e简介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e《一切归于大家》（Para Tod@s Todo）为纪念萨帕塔人在墨西哥恰帕斯州的起义三十周年而编辑、翻译，收入七篇萨帕塔主义的历年论述（1997-2015）、一篇“为什么要读萨帕塔主义”的介绍和分析及一篇大事纪，梳理了萨帕塔人以日常为斗争，从起义到如何构建国际抵抗网络、发展自治社区的旅程。亦附有编后记，方便读者对这一跨越语种和国界、持续数年得以实现的共同工作有更多了解。\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45961465069620,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/IMG_0518.heic?v=1743549675"},{"product_id":"夏周zhou-xia-还没天亮的早晨the-morning-without-daybreak","title":"夏周Zhou Xia：还没天亮的早晨The Morning Without Daybreak","description":"\u003cp\u003e\u003cspan class=\"pl\"\u003e出版社:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e华东师范大学出版社\u003cbr\u003e\u003cspan class=\"pl\"\u003e出版年:\u003c\/span\u003e\u003cspan\u003e 2024-7\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"pl\"\u003e页数:\u003c\/span\u003e\u003cspan\u003e 200\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"pl\"\u003e装帧:\u003c\/span\u003e\u003cspan\u003e 精装\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"pl\"\u003eISBN:\u003c\/span\u003e\u003cspan\u003e 9787576050318\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e简介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e本诗集收录了夏周不同时期不同风格的诗作，是这位95后华语文学新锐在文学艺术道路上的一个重要收获。这些诗毫不掩饰地表露了他青春岁月里的困惑、忧虑甚至不安全感，既显现出敏感和脆弱，同时，诗人敏锐的洞察力和形而上的反思能力，也通过早熟的写作技能和丰富的想象力真实而细腻地表达出 来，为读者的阅读提供了独特视角，邀请读者踏上一位年轻诗人的探索之旅，一段穿越情感、现实和想象力的风景之旅。\u003c\/p\u003e\n\u003cdiv class=\"NC79P\"\u003eThis collection of poems, which includes various styles and periods from Zhou Xia, marks a significant achievement for this Chinese literary talent born after 1995. With raw honesty, these poems lay bare his confusion, anxieties, and insecurities of youth, revealing both sensitivity and fragility. At the same time, the poet’s keen insight and metaphysical reflections emerge with remarkable clarity, conveyed through precocious writing skills and a vivid imagination. This collection provides readers with a unique perspective, inviting them to journey alongside the young poet through a landscape of emotion, reality, and boundless imagination.\u003c\/div\u003e\n\u003cdiv class=\"NC79P\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e作者介绍\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e夏周，1995年生于上海。昆士兰大学多媒体设计学士，帕森斯设计学院交互设计硕士。小说发表于《人民文学》《天涯》《山花》《小说界》等刊物，曾入选多种小说年选。诗歌发表于《诗刊》《花城》《作家》《星星》等刊物。著有小说集《戴王冠的白鹦鹉》，诗集《还没天亮的早晨》。现居纽约。\u003c\/p\u003e\n\u003cdiv class=\"NC79P\"\u003eZhou Xia was born in Shanghai in 1995. He graduated from bachelor of multimedia design at University of Queensland in Australia, as well as master of design and technology at Parson School of Design in NYC. His stories have been published in People's Literature, Frontiers, Mountain Flowers, Fiction World and other literary journals, and have been selected for various annual novel anthologies. His poems have appeared in Shi Kan, Flower City, Writer Magazine, Xingxing and other publications. He has authored a collection of novels, The Crown-Wearing White Cockatoo, and a collection of poems, The Morning Without Daybreak.\u003c\/div\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":45961489514548,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/s34935117.jpg?v=1743551224"},{"product_id":"dance-in-her-land","title":"Dance in Her Land 她乡舞曲","description":"\u003cp\u003e\u003cspan\u003e\u003cb\u003eDance in Herland 她乡舞曲\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e18.5 × 25.7 cm\u003cbr\u003e334 p\u003cbr\u003eChinese, English\u003cbr\u003eOffset Printing, Exposed Binding, Dust Jacket\u003cbr\u003eISBN 979-8-9890170-3-4\u003cbr\u003eEdition of 2000\u003cbr\u003eFirst Published in 2025\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAuthor: \u003ca href=\"https:\/\/www.lukayangworks.com\/\" target=\"_blank\"\u003eLuka Yuanyuan Yang\u003c\/a\u003e\u003cbr\u003eEditor-in-Chief: Kechun Qin\u003cbr\u003eProject Manager: Michael Guo\u003cbr\u003eAssistant Editor: Jierui Ou\u003cbr\u003eContributors: Selia Jinhua Tan, S.Louisa Wei, Xin Wang\u003cbr\u003eDesigner: \u003ca href=\"https:\/\/www.infoandupdates.com\/\" target=\"_blank\"\u003eStudio Pianpian He and Max Harvey\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDistribution: \u003ca href=\"https:\/\/publicknowledgebooks.com\/\"\u003ePublic Knowledge Book\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDance in Herland\u003c\/i\u003e\u003cspan\u003e surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production \u003c\/span\u003e\u003ci\u003eChinatown Cha-Cha\u003c\/i\u003e\u003cspan\u003e and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. The book brings together hundreds of archival materials from photo albums, rare and invaluable oral histories, creative writings, and interviews with scholars. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdditionally, the design duo Studio Pianpian He and Max Harvey transformed the books into a vessel of collective memory through their design. They used papers in various colors to separate different oral history backgrounds. The designers delicately captured visual elements marked by the era from the archive, infusing the book with new charm grounded in the aesthetics of the last century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the Author\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLuka Yuanyuan Yang (b. 1989, Beijing) is a visual artist and filmmaker working across documentary film, photography, installation, and performance. Through weaving documentary and archival materials, she explores themes of identity, migration, and memory, challenging conventional historical narratives and amplifying overlooked voices.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe has held solo exhibitions at institutions including Flowers Gallery, Hong Kong (2024); ARTiX3, Tokyo, Japan (2023); OCAT, Shanghai, China (2020); and AIKE, Shanghai, China (2019). Her work has been exhibited at major institutions including New Taipei City Art Museum, Taiwan; Centre for Heritage Arts \u0026amp; Textile, Hong Kong; Rockbund Art Museum, Shanghai, China; Power Station of Art, Shanghai, China; Times Arts Center Berlin, Germany; Art in General, New York; Espacio de Arte Contemporáneo, Montevideo, Uruguay; Three Shadows Photography Art Centre, Beijing, China.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer debut feature documentary “Chinatown Cha-Cha” was part of official selection at Pingyao International Film Festival, Hawaii International Film Festival, Cleveland International Film Festival, CAAMFest and many more. It had a nationwide theatrical release in China in 2024 (Douban Rating 8.4\/10). Her short films have been featured in The New Yorker and screened at New Orleans Film Festival, Atlanta Film Festival, Camden International Film Festival and Asian American International Film Festival.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYang is a recipient of the BAZAAR Art Awards – Cross Cultural Creator of the Year (2024), BVLGARI Avrora Award (2023), Art Power 100 (2019), and Rencontres d’Arles Author Book Award (2015). She has received grant from the Asian Cultural Council. Her works are in the collections of Power Station of Art, Kadist Art Foundation and FENIX Museum of Migration.\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46662385598516,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/dance-in-herland.png?v=1747690713"},{"product_id":"everyone-listen-close-wanp-wanp-jangl-kap","title":"Everyone Listen Close—Wanp-wanp Jangl Kap","description":"\u003cp\u003eTitle: Everyone Listen Close—Wanp-wanp Jangl Kap\u003cbr\u003eAuthor: Mu Qian\/Yandong Grand Singers\u003cbr\u003eYear of publication: 2019\u003cbr\u003eCategory: CD\u003cbr\u003ePublished by: Pan Records\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional Information\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTotal time 55:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eliner notes and photography (Tongguan, 4th May 2019) -- Mu Qian\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded on 4th May 2019 by Mu Qian on a Zoom H6 digital recorder in the open air on a covered bridge in Tongguan, Yandong Township, Guizhou Province, China, except #7 which was recorded on 3rd May 2019 at Wu Xuemei's home in Yandong Village\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Mu Qian\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLyrics transcribed by Wu Chuanjuan and translated by Wu Chuanjuan and Leon Lee\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll songs are traditional repertoire\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDesign -- Jos Hendrix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEditing -- Pan records\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer -- Bemard Kleikamp\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Yandong Grand Singers:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWu Jinyan (b. 1984)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOu Huaqing (b. 1986)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWu Xuemei (b. 1960)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWu Peiyuan (b. 1967)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWu Qianchun (b. 1984) - govkgis (plucked lute)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWu Dingkang (b. 1975) - biicbav (bowed lute)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePolyphonic grand songs from the Dong in Guizhou Province in China\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnthology of music in China #12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Dong people, or Kam, as they call themselves, have one of the most unique musical traditions in China—the Grand Song, a kind of polyphonic a cappella that has been passed on orally from generation to generation for hundreds of years.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrand Songs are often inspired by natural sounds, and many songs involve mimesis, or the imitation of natural sounds in singing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Author\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eMU Qian received his PhD from SOAS, University of London, with a dissertation on music and meaning in Uyghur Sufism. His publications appeared in Central Asian Survey, European Journal of Musicology, Ethnographies of Islam in China, and The Routledge Companion to Ethics and Research in Ethnomusicology. He is also the Chinese translator of Alan P. Merriam’s book Anthropology of Music.\u003cbr\u003e\u003cbr\u003eBesides his academic work, MU dedicates himself to reviving traditional music by curating concerts, giving lectures, and producing CDs. \"Everyone Listen Close—Wanp-Wanp Jangl Kap\", a CD he recorded and produced of the polyphonic songs of southwestern China’s Kam\/Dong people, was selected by the Transglobal World Music Chart as the Best Asia \u0026amp; Pacific album of the 2019–2020 season. MU also hosts serial radio shows on the BBC to introduce Chinese music and contributes to magazines such as Songlines and Folklife.\u003c\/span\u003e\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46662817480756,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/images.jpg?v=1747691434"},{"product_id":"lilan-yang-the-perfect-human-the-complete-collection","title":"Lilan Yang: The Perfect Human (the Complete Collection)","description":"\u003cp\u003eAuthor\/Artist: Lilan Yang\u003cbr\u003eYear of publication\/production: 2024\u003cbr\u003eCategory (artist’s book, zine, photo book, merch, etc.):\u003cbr\u003eLimited-edition DVD release\u003cbr\u003eMedium (if applicable): Digital video, burned to DVD\u003cbr\u003eSize: 13 minutes\u003cbr\u003eNumbers of edition (if applicable): Edition of 16\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Perfect Human is a limited-edition series of analog and digital artifacts derived from a 2022 experimental film that reimagines Jørgen Leth’s 1968 cult classic through unsupervised machine learning. Using AI-generated imagery and materialist techniques, the project examines the evolving concept of perfection as seen through artificial intelligence.\u003cbr\u003e\u003cbr\u003eAvailable as both a hand-burned DVD and collectible 16mm filmstrips, each piece embodies a transformation cycle: from analog film to digital neural reconstruction and back to physical media. The filmstrips—printed on transparent 16mm—capture unique still frames from the machine’s imagined sequence.\u003cbr\u003e\u003cbr\u003eThe digital transfer of The Perfect Human in 16mm won the Award of Excellence at the 37th Image Forum Film Festival in Tokyo, Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Author\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eLilan Yang is an artist and experimental filmmaker from Chongqing, China. Their practice, rooted in the materiality of film, delves into the flux of migration, the decay of memory and the intricacies of perception. 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To hear the individual voices from the donors and makers and to interview them about their approaches, attitudes and publishing practices.\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46805765259316,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/donating_books_cv.jpg?v=1749425887"},{"product_id":"apus雨燕-vol-1-time","title":"Apus雨燕 Vol.1 Time","description":"\u003cp\u003eAuthor: Apus Literature\u003cbr\u003eContributor: 青绵，丁伶俐，丁玎，张秋寒，凝焰，言隹，苒苒，秦\u003cbr\u003e言，曾令樟，尔炑，李仁学，陈加晋，李借之，王清灵，韩冰，乐\u003cbr\u003e水， 商夏周\u003cbr\u003eYear of publication: 2025\u003cbr\u003eCategory: magazine\u003cbr\u003eSize: 5.83 x 8.27” (A5)\u003cbr\u003eBinding: Swiss binding\u003cbr\u003ePage number: 224pp\u003cbr\u003ePublished by: Apus Literature\u003cbr\u003e\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46805775155252,"sku":"","price":41.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/WeixinImage_20250608194754.jpg?v=1749426412"},{"product_id":"十二面体-机器之心","title":"二十面体：机器之心","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829329514548,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ScreenShot2025-06-19at7.18.29PM.png?v=1750374853"},{"product_id":"十二面体-疾病邮包","title":"二十面体：疾病邮包","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829330333748,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ScreenShot2025-06-19at7.16.51PM.png?v=1750374757"},{"product_id":"十二面体-触catalog","title":"二十面体：触catalog","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829330497588,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ScreenShot2025-06-19at7.16.12PM.png?v=1750374719"},{"product_id":"十二面体-手语邮包","title":"二十面体：手语邮包","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829330858036,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ScreenShot2025-06-19at7.15.34PM.png?v=1750374682"},{"product_id":"十二面体-手语魔法书","title":"二十面体：手语魔法书","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829331415092,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ScreenShot2025-06-19at7.13.34PM.png?v=1750374558"},{"product_id":"十二面体-手语漫画","title":"二十面体：Went to Learn Indonesian But Ended Up Learning Sign Language","description":"","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829331775540,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ScreenShot2025-06-19at6.20.48PM.png?v=1750375044"},{"product_id":"ground-sea-地浪","title":"Ground Sea 地浪","description":"\u003cp\u003e\u003cspan\u003e20.3 × 27 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e176 p\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChinese, English\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOffset Printing, Exposed Binding\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 979-8-9890170-4-1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition of 500\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFirst Published in 2025\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhotography and Concept: \u003c\/span\u003e\u003ca href=\"https:\/\/kanthypeng.com\/\"\u003eKanthy Peng\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003ePoet: Geng Yao\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: Muxi Gao, Company Per Form\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKanthy Peng’s debut artist book, \u003ci\u003eGround Sea\u003c\/i\u003e, weaves a visual narrative exploring depression, memory, and loss through 73 photographs. The title takes inspiration from an archaic West Indian term, which anthropologist and feminist Emily Martin used to capture her sensations when observing the Affective Disorder Clinical Rounds, “(Ground-sea is the name) for a swell of the ocean, which occurs in calm weather and without obvious cause, breaking on the shore in heavy roaring billows. A distant storm, out of sight, is often the cause of a ground-sea.”\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eGround Sea\u003c\/i\u003e, Peng re-orchestrates photographs spanning over a decade and multiple projects into a new diptych-structured work. The first part, \u003ci\u003eSunset Watchers\u003c\/i\u003e, unfolds through black-and-white portraits of three women reenacting a phantom folktale following the 1896 tsunami in Japan—images that also allude to the anxious premonition of those living with depression. Interspersed colored photographs recall Peng’s bodily memory of being bedridden due to illness. The second part,\u003ci\u003e Kuāfù Chases The Sun\u003c\/i\u003e, carries stills from two video works about Peng’s father, who retired from the People’s Liberation Army ten years after his daughter left home. In these images, his body is constantly propelled forward by the cogs of a system, breaking the stagnation of the first part, only to fall into nothingness ultimately.\u003cbr\u003e\u003cbr\u003eThe book also features two poems by poet Geng Yao. One pays tribute to a mutual friend of Yao and Peng; the other reflects on the struggle for social mobility through the lens of China’s “small-town swot” phenomenon, resonating in parallel with the book’s imagery. The design engages with the flux of the visual narrative through calibrated shifts in graphic and material density. In an attempt to reflect a concern of the artist, of highlighting the physical experience of depression over its pathology, the design treats text as image and image as matter. The book unfolds through fading, interruption, and repetition, ending with a long scene of the artist’s father running toward a vanishing point.\u003cbr\u003e\u003cbr\u003ePeng likens the depressed body to a receptor and amplifier of signals from the future, much like the camera she holds in her hands. In the tension between stillness and motion, waiting and chasing, the book poses a question: Are those paralyzed by the impending catastrophe in need of treatment, or is it the society—numbed by its relentless pursuit of progress—that requires awakening?\u003c\/span\u003e\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46829940670516,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/ground-sea.jpg?v=1749601062"},{"product_id":"sine-theta-magazine-issue-28-sound-音","title":"Sine Theta Magazine: ISSUE #28 “SOUND 音\"","description":"\u003cp\u003eSomewhere, an orchestra is tuning. Silence is broken by a single suspended note slowly building into layers of instruments, hearing and finding each other and then—fading again. Ready to launch into an odyssey of sound. “SOUND 音” swells and resonates into a rich sonic landscape, signals in the static.\u003c\/p\u003e\n\u003cp\u003eThis issue features the winners of our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/sinetheta.net\/contest.html\"\u003efifth annual writing contest\u003c\/a\u003e! We are grateful to Ching-In Chen for serving as our poetry judge and Lan Samantha Chang for serving as our fiction judge this year.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUrban photo series from Audrey Tian, Lily Deng, Vivian Si Zeng and an illustration from Juliette Wu draw influence from Chinese opera visuals; Luke Tan’s “Portrait of a Plastic-Wrapped Lion in a Honda Odyssey” questions Lion Dance no longer in situ.\u003c\/li\u003e\n\u003cli\u003eAudiovisual artist vicki huang pays tribute to a history of wind music in “ode to a harmonica player”.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/vickihuang.bandcamp.com\/track\/ode-to-a-harmonica-player\" target=\"_blank\"\u003eListen here\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003eWeb Content Assistant Noah Hrung chats with Madeline Seto on performance, textiles, and biomaterials.\u003c\/li\u003e\n\u003cli\u003eSenior Editor Yue Chen and poet Will Harris dive into the ways we share and process language.\u003c\/li\u003e\n\u003cli\u003eManaging Editor Chi Siegel learns about how C Pam Zhang cooked up her novel\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLand of Milk and Honey\u003c\/i\u003e.\u003c\/li\u003e\n\u003cli\u003eEditorial Intern Andrew Kang hits up debut novelist Ada Zhang, author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Sorrows of Others\u003c\/i\u003e.\u003c\/li\u003e\n\u003cli\u003eSenior Designer Caroline Mao meets artist A Liang Chan in New York and talk through Chan’s world of comics.\u003c\/li\u003e\n\u003cli\u003ePoetry from Roy Wang draws parallels between Wang's father and Bruce Springsteen, with their shared passion for music and their struggles with love and identity.\u003c\/li\u003e\n\u003cli\u003eContest winner Zen Ren’s \"Motherlore, in the flock of cries\" unfolds in a wing-shaped formation, exploring themes of memory and time while evoking the delicate flight of swallows and the echoes of unspoken emotions.\u003c\/li\u003e\n\u003cli\u003eContest winner Trini Feng’s \"The Last Daughter\" wades through the sounds of a Chinese family gathering, where cultural expectations and the passing of tradition intertwine, as the protagonist conceals her true self and contemplates her role in preserving generational bonds, expectations, and facades.\u003c\/li\u003e\n\u003cli\u003eFrom the poetry shortlist: Timmy Chong's \"SONAR FLOWER CODED SIGNAL,\" blends solar-powered vibrancy with subtle sensations and progresses from softness to disorder; Anna Feng's \"Fragments\" captures the contemplative atmosphere of a barbershop; Cynthia Gan's \"Requiem for my grandfather's tomato garden\" mediates the complexity of religious experiences through memories of a tomato garden; Michelle Tong's \"Heavenly Peach Banquet\" contemplates reincarnation, impermanence, and the desire for a vibrant celebration.\u003c\/li\u003e\n\u003cli\u003eFrom the fiction shortlist: Elizabeth Han’s “Estate” explores the transient nature of existence; Wan Phang Lim’s “Adorable” quests for a sense of belonging; Vicki Xu’s “The Mall at the End at the End of the World” connects nostalgia with a search of meaning; Kelvin Mak’s “Vigil” turns to a son’s solace, connection, and catharsis – explore existence from all angles, against backdrops of estate sales, waiting rooms, abandoned houses, an aging mall’s arcade, and the ancient game of Go.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFront cover by Luke Tan.\u003c\/p\u003e","brand":"AccentSisters","offers":[{"title":"Default Title","offer_id":46830016397364,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/3395\/5892\/files\/28cover.jpg?v=1749601533"}],"url":"https:\/\/accentsisters.myshopify.com\/collections\/independent-publication.oembed?page=7","provider":"AccentSisters","version":"1.0","type":"link"}